Showing posts with label favorite authors. Show all posts
Showing posts with label favorite authors. Show all posts

Tuesday, September 13, 2011

“It sounds rather like magic, doesn’t it?”

The Night Circus
by Erin Morgenstern

If there is magic, in the world as I know it, it is found in the pages of books. And Erin Morgenstern’s debut novel, The Night Circus, is the most magical, transporting experience I’ve had in quite some time. It opens in 1873, backstage in a New York theater with these words, “The man billed as Prospero the Enchanter receives a fair amount of correspondence via the theater office, but this is the first envelope addressed to him that contains a suicide note, and it is also the first to arrive carefully pinned to the coat of a five-year-old girl.” And so it is that Hector Bowen learns of the existence of his daughter, Celia. Hector’s response to his change in circumstances is unenthusiastic, but he soon discovers that Celia is a chip off the old block. You see, Hector only pretends to be an illusionist on stage. The magic he practices is entirely real—and Celia has inherited talent.

Hector is not content to merely mentor his daughter. He contacts his associate, Mr. A. H— about a wager. A deal is struck, after which that gentleman returns to London and adopts a protégé of his own, the orphaned Marco. These two young people are raised unconventionally, studying magic under their tutors’ philosophies, all the while knowing there will be a competition between the two of them some day. Enter impresario Chandresh Lefèvre, who has imagined something wondrous. He explains:

“More than a circus, really, like no circus anyone has ever seen. Not a single large tent but a multitude of tents, each with a particular exhibition. No elephants or clowns. No, something more refined than that. Nothing commonplace. This will be different, this will be an utterly unique experience, a feast for the senses. Theatrics sans theater, an immersive entertainment. We will destroy the presumptions and preconceived notions of what a circus is and make it something else entirely, something new.”

And so the venue for the magical competition between Celia and Marco is born. And there you have the bare bones of Ms. Morgenstern’s story. There’s no need to tell more. The magic of this tale is in the language and the characters and in Ms. Morgenstern’s infinitely rich, romantic imagination.

The circus, it is said, “arrives without warning.” Not so this novel. There have been all kinds of pre-pub buzz and hype for this title. There’s a reason; this book is so special that almost all who read it take note. Ms. Morgenstern’s tale transcended the page and brought true enchantment to my oh-so-ordinary life. As it happens, one of the characters could be speaking for the author herself:

“I find I think of myself not as a writer so much as someone who provides a gateway, a tangential route for readers to reach the circus. To visit the circus again, if only in their minds, when they are unable to attend it physically. I relay it through printed words on crumpled newsprint, words they can read again and again, returning to the circus whenever they wish, regardless of time of day or physical location. Transporting them at will.

When put that way, it sounds rather like magic, doesn’t it?”

Oh yes, it does! And I expect to be returning to this circus for many years to come.


Tuesday, June 21, 2011

Tyler Locke & his Leatherman tool are back!

The Vault
by Boyd Morrison

Yes, Tyler Locke, the protagonist of The Ark, is back, as are his sidekick Grant Westfield, the General, and several other characters from Boyd Morrison’s debut novel. One notable exception is Dilara Kenner, who is not featured in this latest adventure. Obviously, this is the second book in a continuing series. In general, I’m a big proponent of reading series books in order, but in this case I don’t think it matters if you’ve read the first. The events of The Ark are barely referenced, even in passing, so you won’t be missing a thing.

Like so many action heroes, trouble seems to find Tyler Locke. This time it takes the form of an insistently ringing telephone. Tyler is minding his own business on a ferry commute when an unknown caller tells him he has 28 minutes to defuse a bomb on the boat. Having no other option, Tyler investigates. He is indeed led to a bomb, a blonde, and a puzzle. What he doesn’t know is that this set-up is only the first test. The mystery caller is Jordan Orr, a career criminal with an insane-sounding quest. The blonde is Stacy Benedict, another innocent bystander, like Tyler, with a unique skill set. And Orr has acquired exactly the leverage to make both Tyler and Stacy do his bidding. For what he wants is nothing less than the Midas Touch.

Let’s stop right there. Yes, that Midas Touch, where everything you touch turns to gold. As I read this fairly early on in the novel, I was skeptical. Actually, I don’t think skeptical covers it; I was bordering on contemptuous. It was the most ridiculous premise I could imagine for a quest thriller. But I am a big Morrison fan, so I suspended my disbelief and continued reading. (Incidentally, one of the things I like best about Tyler Locke is that he articulates all the things I’m thinking—but more knowledgeably. He doesn’t just say that alchemy is a fantasy; he explains why nuclear fission isn’t a practical means to turn lead into gold.)

Ultimately, I was rewarded for giving the author the latitude to ply his craft. He never let me down on the entertainment—though there were some scenes that felt a bit contrived to me. And while I’m not going to claim that this is the most plausible plot, Morrison pulls it off. He makes it believable enough (and I’m not a pushover when it comes to that). There was a science-based plot twist at one point that made me literally stand up and cheer out loud. It was so awesome!

As far as character development goes, I’d say it’s about status quo with the first book. Don’t pick this book up if you are looking for an intimate character portrait. Pick it up if you want a rockin’ car chase on the Autobahn. Pick it up if you enjoy a good heist. Pick it up if you’re curious how science can explain the legend of Midas. And pick The Vault up if you’re looking for a book that’s hard to put down.



Best. Novel. Yet.

The Devil Colony
by James Rollins

Over the years, I’ve written a lot of enthusiastic things about the novels of James Rollins. But until now, I’ve never written this: THE DEVIL COLONY IS THE BEST NOVEL THAT JAMES ROLLINS HAS EVER WRITTEN! (Yes, in all caps even!) Like many readers, I was disappointed in the two-year wait for this latest installment in the Sigma Force series. Now, I’m thinking perhaps he should take two years on all the novels—I don’t know if it was the extra time, but something has paid off huge dividends.

As always, summarizing the story is the hardest part. First, because I’d hate to spoil any surprises. And secondly, because it’s just really hard to summarize one of Rollins’s everything-but-the-kitchen-sink plots. The main action of this book opens in present day Utah. From two boys who can’t resist the lure of the forbidden, a great and terrible discovery is made at a sacred Native American site. There are bodies. There is an artifact. And, astonishingly, something that goes to the very core of Mormon theology!

Just as the scientists on site are beginning to grasp what they’ve discovered, there is a huge explosion. The explosion is blamed on a Native American activist, but it’s clear that this wasn’t your standard bomb. It’s something far more dangerous, with implications that spread further and further afield, and which drag Sigma operatives into the story on differing assignments and for different reasons. All the usual suspects are back, including the enigmatic Seichan, who is again paired in an uneasy alliance with Gray Pierce. Painter Crowe is also back in the field this time around. Operatives from the Guild are up to their usual tricks, and even as readers learn more about the shadowy organization in this novel, new questions are raised for the next book. (It’s infuriating how he does that.)

In provocative messages leading up to the publication of The Devil Colony, James Rollins repeated asked, “Was America founded on a lie?” The plot of this novel does get right to the heart of the formation of this country. What were Lewis and Clark really up to? What was Thomas Jefferson communicating in secret ciphers? It also explains the fate of some of the most mysteriously lost cultures through history. It delves into the not only the most cutting-edge technology, but also some amazingly advanced ancient technology. And, yes, it also explores the foundation of the Mormon Church. Oh, and there’s a super-volcano! And killer whales! And the heist of all heists!

Seriously, I could go on like this all day. The scope of this novel is breath-taking. What’s amazing is that Rollins pulls all of these diverse threads together so plausibly that you’ll find yourself wondering if he has indeed solved half the puzzles of the ages in one fell swoop. As always, there’s a staggering amount of fact laced throughout his fantastic plot. It’s enough to make you go, “Hmmm.”

The pace starts to race early on, and it just never slows down. The stakes in the book simply get bigger and bigger. Technically, it’s a well-structured page-turner. But in the end, it’s the story that got me and held me. Every part of it was just so inventive, exciting, and so darn interesting! I entitled this review “Best. Novel. Yet.” I don’t anticipate Mr. Rollins topping The Devil Colony any time soon, but I hold out hope. He wrote this one. What wonderful tales can we look forward to in the future?



Tuesday, March 15, 2011

Mailbox Monday: A day late and a dollar short edition



Mailbox Monday is a weekly meme for book bloggers to share their recent acquisitons.  I've been meaning to start up the feature here for weeks, but something always gets in the way.  So, here I am, a day late and a dollar short--as I so often am.  But I'm going for it.  How many weeks can I procrastinate?  Different bloggers do this different ways, and I'm not quite sure yet what I want this feature to be, so let's just see how things evolve, okay?

Books acquired this week:


Iron House
by John Hart
Release date:  7/12/2011
Source:  paper galley from publisher

This will be the fourth stand alone novel by this much-lauded master of the literary thriller.  I'm pretty sure I have galleys of most of them, yet I've read none.  I really have to rectify that.  Maybe this time?



Between Shades of Gray
by Ruta Sepetys
Release date:  3/22/2011
Source:  paper galley from publisher

Okay, I don't mind telling you that this YA novel set in Stalin's Russia does not look like my cup of tea.  But that's okay.  I'm collecting YA titles to donate to the adolescent treatment center over at Children's Hospital in Oakland.  They put books in the waiting room, and they want the kids to be able to take them home if desired.  Bookcrossing to the rescue.

One of Our Thursday's is Missing
by Jasper Fforde
Release date:  3/8/2011
Source:  Hardback purchased from M is for Mystery Bookshop

Yes, after all that hype, the book went on sale last week.  And despite having read the galley graciously supplied by the publisher, I went out and bought a copy.  I love Jasper Fforde and I love my local independent booksellers.  I'm happy to put my money where my mouth is in order to support their livelihoods.  Plus, Jasper was signing.  Hopefully, I'll find time to blog about his event.


Books read in the past week: 

A whole lot of ABNA submissions.  Don't ask.

Currently reading:

The Tiger's Wife by Tea Obreht (trade paper galley)

The Weird Sisters by Eleanor Brown (audiobook)


So, I think that's all for last week.  I predict a very long post next Monday.  I'm going to have to start logging these things as they come in from various sources, because I really feel like I'm forgetting something...

Part of the fun of Mailbox Monday is reader contributions.  What books have you acquired this week?  What are you reading?  I would love to hear from you!  It may take a while, but I am hopeful that regular readers will join in the Mailbox Monday fun.  At the very least, it'll give you an idea of what reviews may be forthcoming.

A final note:  A winner was just drawn for the Pale Demon Giveway.  Please check the comments thread here for the winner.  And there are just a few hours remaining to enter The Bone Yard giveaway here.  Competition is less fierce, so good luck!

More Fahy News: Warren Fahy Releases The Kor

Yes, another press release, followed by my comments below:

FOR IMMEDIATE RELEASE

March 14th, 2011

WARREN FAHY releases his novel THE KOR on Amazon and Barnes & Noble eBooks.

When a kor child spies a comet in the sky he sets a chain of events in motion that will shake the foundations of his people’s entire civilization. As ancient truths are challenged, buried secrets are unearthed that will change the course of his people forever. In this unique tale, acclaimed author Warren Fahy (FRAGMENT) takes readers on a journey through a new world where familiar themes play out on an epic stage and the only thing that can be counted on is that, in this adventure, nothing can be counted on.

In this audacious tale, which defies categorization while blending fantasy, adventure, mystery, dystopia and revolution, Fahy takes readers on a wild ride guaranteed to be like nothing they have encountered before.

“EBooks are the perfect format for this novel,” Fahy says. “It is a unique tale that would have a hard time finding a traditional spot on the shelves of a book store. It is also one of my own personal favorite novels. I’m very happy to have this alternative means of getting it to fans. As PANDEMONIUM, the sequel to FRAGMENT, is under negotiation with publishers, this was the perfect format to put THE KOR out now.”

Warren Fahy is the acclaimed author of FRAGMENT (soon to be a motion picture), his debut novel, which was published in 18 languages by 20 publishers around the world.

THE KOR is available exclusively on Amazon Kindle and Barnes & Noble NOOKbook. If you don’t have a Kindle or NOOK you can read THE KOR on any device. Just download the free Amazon Kindle reading app or the Barnes & Noble NOOKbook app.

Check www.WarrenFahy.com for more information, or contact info@warrenfahy.com

**********

So, wow, it's been all-Fahy, all the time around here lately, huh?  I expect that to change in the near future, once his recent spurt of activity settles down.  His publishing trajectory has been unusual, a little dramatic, and makes for great blog copy.  Plus, info on these recent books has been sparse.  I wanted to know more, so I asked a bunch of questions.  He answered them and I posted the info for others. 

Still, I don't usually shill this much for even my closest friends.  As it happens, Mr. Fahy is a rare thriller novelist that I've never met--never even spoken to--though we have exchanged several friendly emails in the past couple of years.  Basically, what I'm getting at is that I'm just a fan.  He isn't my BFF, and he isn't blackmailing me for publicity.  Just so we're clear.

When I saw this press release last night, I, of course, immediately clicked over and purchased the novel.  I mean, for $1.99, why not?  Right?  Still, I wrote Warren and said, "I'm not really sure this is my cup of tea."  He admitted that he wasn't sure it would be either, so we'll both have to wait and see.  Based on the file size, The Kor looks to be under 300 pages long.  In other words, a simple one-day read.  But I don't have the time right now.  I owe dozens of reviews, and I'm craving literary fiction in a big way after my recent reading diet.  In fact, at your suggestion in my "What should I read next?" polls, I am currently reading The Tiger's Wife and The Weird Sisters, and am enjoying them immensely.  You readers always know best.  ;-)

So, someone read this novel, come back, and give us the scoop in the comments, okay?  I can't wait to hear what you think!

And, Warren, if you visit, please tell us in the comments who does all that terrific diverse artwork that I keep stealing from your website.  It's fabulous!

Thursday, March 3, 2011

A conversation with Jasper Fforde (part 2)



My month-long Fforde Ffiesta celebrating the March 8th publication of One of Our Thursdays is Missing continues.  As promised, here is the second half of the Viking publicity interview with Jasper Fforde.  Part 1 of the interview may be read here, and my review of the novel may be read here.  Readers who prefer to go into a novel completely blind may prefer to read this interview after reading One of Our Thursdays is Missing.  Enjoy!



Q: The written Thursday has a very curious, perhaps disturbing interest in her mentor’s emotional life. What is it about Landon and their life in Swindon that so affects her? Does her meeting Landon change how she sees herself?

Being the written version of someone is a double-edged sword. You have many of the skills, but then you have a lot of the downsides, too. Written Thursday’s biggest problem is that she was written with the passion for the real Thursday’s husband, yet Landen refused to be featured in the Thursday Next books. (Perhaps it might be as well to explain at this juncture that the Thursday books in our world and the Thursday books in Thursday’s are quite different!) So, all the hots for Landen, but no Landen. It is a sense of loss that drives her, something which her ghostwriter intended. It allows me to look at the notion of someone who loves someone—but can’t have them. And how do they deal with that? More importantly, should a writer consider the emotional stress wrought upon their creations by clumsily written backstorys?

Q: Tell us about the killer mimes.

I’ve always found mimes a bit creepy and taking themselves a little bit too seriously, like all actors, really. Being a writer, I am in the top five of the professions who talk the most amount of bollocks about what it is they do for a living, but at least writers are behind actors and artists. And sometimes poets. Anyhow, the whole incident with the mimes simply popped into my head with a single line: “We had driven into a mimefield.” It was a gag I simply couldn’t not use, and I just like the whole silly notion. It’s very Bookworldish.

Q: What was the plot thread that you found most enjoyable to write?

Written Thursday being in the Realworld, I think. It might have been fun to have more of her coming to terms with the somewhat bizarre place we call home, but there wasn’t time. From what it feels like to breathe (gurgling and whiffling) to walking in a crowd (fraught with danger) or going to sleep (like dying, I should imagine), written Thursday finds the Realworld a bizarre place to be—and from the orderly Bookworld resident’s point of view, totally without any sort of understandable plot-line or resolution. “If the Realworld were a book,” she says, “it would never find a publisher.”

Q: Metaphors play a vital role in your world, and in the end, in the revelations behind the Peace Talks. Why are they important?

Metaphor is only of real importance on Fiction Island—in Non-Fiction, Metaphor is mercilessly hunted down and eradicated. Fiction is the world of ambiguity and inference, Non-Fiction the world of clean and clear facts. I like the idea of Metaphor being the magic dust that transforms shopping lists into revealing windows into shopper’s souls. Writing is a dark art, but it is by the very complex and often subtle use of metaphor and all the other mechanics of meaning and ambiguity can we hope to convey so much with so little. That being so, it follows that much of Fiction runs on Metaphor, and with a commodity so powerful, its production and supply becomes a matter of great concern. And drama is never far away.

Q: What’s next for you?

The next book will be a standalone. It’s time I did another. Then we’ll be either back with Thursday or with Jack Spratt—or maybe even Shades of Grey 2. Lots of options.


Monday, February 28, 2011

"Ladies and gentlemen, may I present Pandemonium."

Pandemonium
by Warren Fahy

UPDATE 3/8/2011:  Pandemonium is temporarily unavailable on Amazon and other ebook selling sites.  Reader response was strong enough to interest several publishers in the book, and it is currently unavailable while negotiations are ongoing.  I'll post updates as news is available.  Congrats to the lucky readers who grabbed it quick!

Nearly three two years ago, I read a debut thriller by an unknown author leading me to ask the immortal question, "Where have you been all my life, Warren Fahy?" And more to the point, where did you go? Happily, Mr. Fahy is at last back with a self-published sequel to Fragment. It would be an understatement to say that my expectations for this book were high. Arguably, too high. Let me cut to the chase and simply tell you: this book is totally AWESOME!

Pandemonium opens just a few months after the events of Fragment. Fahy had left the door wide open for a sequel, and he steps right through it as the desiccated body of Thatcher Redmond washes up on a remote Japanese island, carrying it's deadly cargo of Hender's fauna. (Don't assume you know where this is leading. Fahy is always three steps ahead.)

Across the world, Nell and Geoffrey Binswanger are enjoying their first days of wedded bliss. Since their escape from Henders Island, they—along with colleague Andy Beasley—have been working with the five surviving hendros from the island. These gentle creatures have captured the world's imagination and are well on their way to winning their hearts. But the powers that be aren't sure how much freedom these alien intelligences should be granted. They are currently being held in comfortable isolation, but they are petitioning for full freedom—or at least internet access.

Nell and Geoffrey are shaking up the hendros' comfortable routine by going off on their honeymoon. However, just as they're about to depart for Hawaii, the two are given the proverbial offer they can't refuse. It’s a lucrative working vacation studying an extraordinary unknown ecosystem. Their benefactor is a slightly suspect Russian billionaire by the name of Maxim Dragolovich. And before anyone knows where they’re going, he’s whisked Nell and Geoffrey off to a subterranean world like nothing you’ve imagined in your wildest dreams, a world he calls “Pandemonium.” There, Nell and Geoffrey renew old acquaintances and make new ones, and at first it’s all so magical… I don’t want to tell much more. It’s far too much fun to make each delicious discovery on your own!

There’s a reason why sequels rarely live up to reader expectations. When an author has done his job really well, he’s created a whole new world in a book. No matter how great the second novel is, it simply can’t offer the freshness and originality of the first. Let me tell you why I think Fahy succeeds so well here.

First, he offers more of what he got right in Fragment. This novel moves at an absolutely breathless pace. I read it in a single day, and there was simply no way you could have gotten me to put this book down before I reached the conclusion. Fahy’s bread and butter is creating fantastic creatures, both magnificent and horrifying. He revisits some territory in Pandemonium, but he expands quite satisfactorily on what he’d created previously. His imagination is off the hook! But what I love the most is that everything he creates, from the environment, to the creatures, to the technology (which I’ll get to in a moment), is so thoroughly grounded in real, right-up-to-the-moment, science. It’s smart, it’s fun, and it’s truly a joy to read.

I criticized the character development in Fragment and I’m not going to claim that this is a nuanced character study. In fact, the main villain of this novel is again a bit on the cartoonish side, but this time he’s cartoonish in a good way! He’s definitely a more interesting, more well-rounded character. I don’t know that I learned a great deal more about Nell, Geoffrey, and Andy, but they’re likable characters and fulfill their roles admirably. This novel introduces a child character—always a dicey proposition—but I have to admit I kind of loved her. (Except, Warren, isn’t Sasha a man’s name in Russia?)

He definitely walks the same cuteness tightrope in his depiction of the hendros, or sels, or whatever you want to call them. It would have been so easy for them to become twee, but here again, I think Fahy gets the balance just right. I simply loved them. These characters are a golden opportunity for comic relief, like when they gather around to watch a movie and it’s Jurassic Park, LOL. But these creatures are more than cute comic devices. They’re supposedly possessed of great wisdom, and Fahy manages to illustrate that, such as with Hender’s oft repeated admonition for tolerance, “There is no ‘they.’ Remember? There is only one. And one. And one. No ‘they!’” He’s managed to create alien characters that are, if anything, more intriguing and complex than the human ones. Plus, they have a better grasp of social media than I do.

The latter part of this novel involves a military operation. This is where Fahy brings in the big guns. Literally. The military hardware and technology was just so cool! Here Fahy tapped into my inner child, and apparently my inner child is a 13-year-old boy. Who knew? But I was completely enthralled with the exoskeleton robot (think Avatar) worn by one character, the ROVs named after Dr. Who’s Daleks, and the sheer firepower assembled. As one soldier says, “These species may be more evolved for battle than we are, but we have the technology, folks. I guarantee they’ve never come up against what we’re bringing to the fight.”

So, yeah, there’s a fight. And no one is safe. Fahy may kill off your favorite character in the blink of an eye. He creates tension, jeopardy, adrenaline, and he brings it all home for a most satisfying conclusion. He hasn’t left the obvious open door to a sequel this time around, but there was one question he left unanswered… I can’t stop wondering if it was intentional. I sure hope it was.

The bottom line is this: If you liked the first book, I think you’re going to love this one.

Friday, February 25, 2011

EXCLUSIVE: An interview with Warren Fahy on the publication of Pandemonium

So, last night I blogged about some exciting but unexpected news from novelist Warren Fahy, and I invited him to come here and comment further.  He graciously agreed to do so.  What started out as an invitation to write a guest blogger post quickly devolved into an interview because I threw so many questions at the poor guy!  What follows are his frank and illuminating answers to the questions I posed. 

Susan:  Do you have any intention of making Pandemonium available in print?

Warren:  Certainly! I've already had quite a few emailing me with that question, of course. It was my intention all along to publish through Bantam Delacorte. However, with the protracted changes to the manuscript, in which many good suggestions made by my editors at Random House required major restructuring of the story, I had extended myself to the point that it was necessary to bring my book to market. A writer's got to eat. When Random House dug in and insisted that I make one final and, to my mind, devastating change that would have required a total revision to the purpose and theme of the book, it was obvious I would need to find another publisher. As you know, that means many months down the road to reach a payday, and the rent must be paid.

Since the book never actually entered the editing stage, I decided to put my editor's hat on and do the final polish myself. I was a managing editor for years. That last thin layer of work is where the magic happens in a novel. When the concrete foundations of a book are allowed to set, the characters can come to life inside a story, interacting and reacting to each other and their surroundings. You can't really get to that stage, which is the fun part, really, if you don't have a stable foundation. You can't put varnish on a yacht if you have to tear it apart and turn it into a log cabin. I knew what I had was exactly what it needed to be to bookend FRAGMENT in the way that I had always intended. So I took it across the finish line myself and published it myself.

Am I crazy? Perhaps. I’m looking forward now to getting on with my next thriller, too, which has been bubbling on the back burner.

Can you elaborate on "creative differences"?

I don’t want to color the reader’s experience by going into too much detail. Suffice it to say that I felt the changes would have been, in my conception of the characters, inexplicable. Since this is a sequel that picks up some 120 days after FRAGMENT, and not merely another entry in a series, the dramatic events
at the end of FRAGMENT had to lead into the next book, in my mind. I didn’t want to just write “Fragment in a cave,” to use the old “Die Hard on a Bus” line. There were too many intriguing and world-changing events at the end of FRAGMENT to simply move on. I felt it would have robbed the characters of something essential. Random House felt differently, and I respect that. Sometimes, alas, you have to go with your heart. That’s how I wrote the first book, and I wanted this book to be a satisfying continuation of that experience.

Do you have thoughts about current trends and upheavals in the bookselling and publishing world?

The publishing industry has been damaged by the global economic troubles like every other business. Combined with the proliferation of illegal pirated downloads, sales have been down dramatically across the board. The music and movie business has been diligent about policing pirating. But publishing has become the Somali coast of pirating in the last few years.

I have personally counted over 100,000 illegal downloads of FRAGMENT – proudly advertised on bit torrent file-sharing sites, if their own numbers are to be believed. Dozens of sites have offered FRAGMENT for free. My agent has told me I should feel proud, since most books aren’t so avidly copied. (He was joking, of course.) This is devastating to authors and publishers alike. My book deal came along right before the economic crisis and the Cambrian explosion of free downloads. So the landscape in publishing has changed dramatically over that short period of time. In the meantime, eBooks have come along, as well, offering some hope to authors feeling the pinch.

Would you consider returning to a traditional print publishing contract for future titles?

I certainly hope to. I’ve never even read an eBook. When I was 19 I was the manager of a Vroman’s bookstore in Eaglerock, California. I love books. I felt the best way to interest another publisher was to simply show the book I wrote in eBook form. Let the market decide. In the meantime, I can buy some Top Ramen and pay the electric bill.

Will we be seeing any of these characters in the future? Is this a sequel, or the second of a continuing series?

PANDEMONIUM is a sequel to FRAGMENT. I have ideas for another sequel, as well. The difference between a series and a sequel is that a sequel continues to build the world whereas a series, not always but most of the time, starts fresh with only a few references to events from previous novels. I look at PANDEMONIUM as the “Aliens” to FRAGMENT’s “Alien.”

What's going on with the Fragment film? When will we see it in theaters?

The film was stalled in Hollywood for about a year and was taken in a direction I was not involved with and which didn’t spark interest. The Hollywood economy has been equally affected by the times. I felt that it was important for the movie to be true to the book, to its premise, which is an original take on the familiar “Lost World” scenario. Lloyd Levin (The Watchmen, The Rocketeer, Die Hard 2, Green Zone), agreed with me and loved my screenplay. He is the producer I eventually optioned the film to. At the moment, a “package” is being put together (director, stars) and when that is in place we’ll be off to the races. I’ll keep everyone updated at my website!

What's next?

There are several other novels of mine, an epic fantasy and a short novel set in the stone age, which I’m tempted to publish like PANDEMONIUM while I’m working on my next thriller, which is entitled “After” and has nothing to do with FRAGMENT or PANDEMONIUM. I have at least three other books in the works, as well.




Huge thanks to Warren Fahy for his candid responses to my questions!  Did I forget any?  If so, please pose them in the comments.

I'm now more anxious than ever to dive into the novel.  Oh, and Warren, you're welcome to visit and guest blog on a subject of your choosing any time you want.

UPDATE 3/8/2011:  Pandemonium is temporarily unavailable on Amazon and other ebook selling sites.  Reader response was strong enough to interest several publishers in the book, and it is currently unavailable while negotiations are ongoing.  I'll post updates as news is available.  Congrats to the lucky readers who grabbed it quick!

BREAKING NEWS: Warren Fahy Announces Stealth Sequel!

So, some readers may recall that I went a little wild over a debut thriller a couple of years ago called Fragment.  I've maintained a friendly correspondence with author Warren Fahy ever since, and I knew that he'd been working on a sequel, as well as a screenplay for the film adaptation of Fragment.  And I kept waiting and waiting to hear something about a publication date.  And there was nothing--until Wednesday.  Out of the blue, the following press release lands in my inbox:

FOR IMMEDIATE RELEASE

February 23th, 2011

PANDEMONIUM, the long-awaited sequel to Warren Fahy’s debut novel, FRAGMENT, is now available exclusively on Amazon Kindle and Barnes & Noble eBook. Fahy’s first novel took the book world by storm, published in 2009 in 20 countries and 18 languages. Now, his new thriller PANDEMONIUM has at last been unleashed.

Why only on eBook from Amazon and Barnes & Noble?

“After a long development process working with Random House, we came to an insuperable creative difference in how to approach a sequel to FRAGMENT,” says author Fahy. “Fortunately, in this digital day and age, as an author I had the option to preserve my vision for the story and make the book available to fans. I’m very proud to offer PANDEMONIUM just as I intended it, as a continuation of the original story that stands on its own.”

PANDEMONIUM picks up where FRAGMENT left off, though readers encountering this novel first will be able to enjoy Fahy’s new thriller by itself. In the aftermath of one of the most significant and deadly discoveries in natural history, biologists Nell and Geoffrey Binswanger find themselves confronted with an adventure even more astonishing.

As the world decides the fate of the only living species rescued from a geologically unstable island in the South Pacific, the newlywed scientists are invited by a shadowy figure, Russian oligarch Maxim Dragolovich, to study a new ecosystem in a secret facility deep beneath the Ural Mountains. What occurs in the depths of the Earth will confirm their worst nightmares as they battle to stay alive, the stakes no less than the survival of every species on the planet.

The latest thriller by the acclaimed author of FRAGMENT (soon to be a major motion picture) takes readers on an adrenaline-fueled thrill-ride, once again, into the frontiers of life on Earth, and beyond.

Check http://www.warrenfahy.com/ for more information, or contact info@warrenfahy.com


Now, I can't truthfully claim that the blogosphere is burning up with this news, but certainly there's been plenty of freewheeling speculation between me and my gossipy industry pals.  Warren, come on and do a guest blog about your new book.  Inquiring minds want to know, what's the deal?

Oh, and suffice it to say that I was on Amazon.com purchasing Pandemonium before I'd finished reading the first paragraph of the press release.  My impulse is to read and review it immediately, but I've just begun a time-consuming literary project that'll eat up the next two weeks.  (Details soon, I promise!)  What to do?  What to do?

I'll probably have a review up by Monday.

UPDATE 3/8/2011:  Pandemonium is temporarily unavailable on Amazon and other ebook selling sites.  Reader response was strong enough to interest several publishers in the book, and it is currently unavailable while negotiations are ongoing.  I'll post updates as news is available.  Congrats to the lucky readers who grabbed it quick!

Thursday, February 24, 2011

A conversation with Jasper Fforde (part 1)



My own personal Fforde Ffiesta continues this week, counting down to the publication of One of Our Thursdays is Missing on March 8th.  Below is part 1 of an interview with Jasper Fforde supplied to me by his publishers.  To be perfectly clear, I was not the person having this conversation with Jasper, but I very much enjoyed reading it.  I wanted to share the interview, and I thank my good friends in Viking's publicity department for allowing me to do so.  Part 2 of this interview will be posted to the blog next week.

One final note: Readers who would prefer to go into this latest novel blind may want to read the interview after reading One of Our Thursdays is Missing.



A CONVERSATION WITH JASPER FFORDE (PART 1)

Q: In our last chat, you mentioned working on One of Our Thursdays is Missing, and here we are, and Thursday Next is indeed missing. Why make her disappear?

The way I approach most of my stories is by setting myself a challenge and then see what happens. In the past, I have attempted to show how a teenager can save the world by doing nothing (First Among Sequels), what would happen if society were obsessed by visual colour (Shades of Grey), or even how the Three Bears’ porridge could be at radically different temperatures when it was poured at the same time (The Fourth Bear). It’s a form of narrative gymnastics that is great fun, and opens the doors to all sorts of interesting plot devices, switches, and turns. It makes one utilize a certain ingenuity to circumvent narrative problems, too. Great fun.

Q: Tell us a little about your new proxy heroine, the written Thursday. What makes her special, or capable? Clearly there’s a lot to live up to…

Oddly, I preferred Thursday when she was still unsure and afraid of the Bookworld. Where everything was dangerous and perplexing and death, disaster, danger, and mayhem lurked at every corner. The Thursday we saw in First Among Sequels felt a bit too superhuman and a bit world-weary, so I wanted to get back to a Thursday who had more problems than experience. The written Thursday fits the bill perfectly. She has much of the same passion and sense of right and wrong that Thursday possesses, but is still uncertain and sometimes a bit lost. She knows it, too. The fear of her own shortcomings when measured against the real Thursday is one of the things that keeps her drive. That, and finding the “real her.”

Q: The Bookworld, here, has been “remade,” and it’s a startling process we witness at the beginning of the novel. Why, and how, have things changed in Thursday’s world?

It’s one of those ideas that I should have had way back in 2002 with Lost in a Good Book and the creation of the Bookworld. This new, improved Bookworld makes it so much easier to navigate. Instead of all the books being stuck within a central library that you have to enter by reading, all the various genres are on “Fiction Island,” itself one of the hundreds of islands in the Bookworld. If you want to visit a certain book, you simply go by train to the correct genre, and knock on the front door. It adds a sense of geopolitical fun to the proceedings, too. I had this idea and thought it was sound, but the problem was, I had already established the Bookworld. So I simply added a chapter on the front saying that the Bookworld “had been remade.” Fiction is like that. It can be anything it wants. All it needs is the agreement of the reader. And by long experience, I have discovered the reader to be bounteously flexible.


Q: You’ve always had a way with mechanical inventions, but it seems here you’ve raised the stakes a bit. Tell us a bit about Sprockett, or the canon that literally blasts your heroine into the Realworld. What is it that you love about gadgets and devices?

The key here is that they are mechanical inventions, and there is a certain degree of “Steampunkishness” that creeps into my books. It all harks back to when life was simpler, and you could understand how something worked simply by looking at it. Today that’s pretty much impossible, but I still enjoy writing a
bout mechanical devices of ludicrous complexity—which brings us to Sprockett, Thursday’s companion in One of Our Thursdays is Missing. Sprockett is a clockwork butler, who requires winding on a regular basis and is a dab hand at mixing cocktails. Unfortunately for him, he is only a Duplex-5 model and the Empathy Escapement Module was never perfected.

Like Frank Baum’s Tinman, he can’t really feel any emotions—or so he believes. He’s a great foil for Thursday, and allows me to imagine what issues might cloud a clockwork existence—erotic dreams about bevel gears, perhaps, or even the choice of booze.

To be continued...



Tuesday, February 15, 2011

I'm having a Fforde Ffiesta all on my own...



So, you'll notice that I posted an early review of Jasper Fforde's forthcoming novel One of Our Thursdays is Missing below.  Great news: The book is being published in the U.S. three weeks from today!

I don't know about you, but I'm a ffanatic.  A new Fforde novel is cause for celebration in my home, so celebrate I will.  From now until publication there will be at least one Fforde-related post to the blog each week.  Check back soon for an interview with Jasper about this latest Thursday Next novel.

Brought to you by:


Thursday is here at last! (Well, on March 8th.)

One of Our Thursdays is Missing
by Jasper Fforde

Way back in 2001, buzz rippled through the American publishing industry for a British debut novel, The Eyre Affair. It was this country’s introduction to two unlikely-named characters: Jasper Fforde and Thursday Next. We’ve had a decade to get to know them now, and they haven’t worn out their welcome yet. On the contrary, Fforde ffanatics long for Thursday’s return, as she has not made an appearance since 2007’s First Among Sequels.

One of Our Thursdays is Missing is Fforde’s sixth novel in the series. There is always danger of a continuing series growing stale, but Fforde manages to keep things fresh in a variety of ways. First, he rotates the Next novels with those in two other series. Also, there was a bit of a paradigm shift in the last book, as Fforde moved the action of the story ahead by 14 years. Our heroine was suddenly in a very different place in her life.

Now, she’s just in a different place period, and nobody seems to know where she is. Per the title, one of our Thursdays is missing. However, that leaves one remaining. The fictional Thursday has noted her counterpart’s absence, even if no one will own up to it. She’s on the case—which is just as well. Things are getting somewhat contentious in her book.

This volume, for the first time, delves into the real nitty-gritty of what it is to be read day in and day out. We get a lot of new information about the BookWorld, in part because there’s new info to be had. Fforde recreates his creation in the opening chapter. It’s fiction; he can do that. Also new is Sprockett. As literary characters go, this mechanical manservant falls somewhere in the intersection of P.G. Wodehouse’s Jeeves, Matt Ruff’s electric negroes, and Paolo Bacigalupi’s Windup Girl. He’s a welcome addition to the series.

While Fforde has added several new elements this time around, other familiar aspects are absent. This novel takes place almost entirely in the BookWorld. I quite missed the cast of RealWorld (or Outland) characters, but as I became more engaged in the story being told, I missed what was left out less.

The Next books are beloved for their unique and affectionate brand of literary satire. That’s very much in evidence here. In addition to lampooning the classics, there are plenty of playful references to Fforde’s contemporary peers. But on top of that, it’s not a half-bad mystery plot that Mr. Fforde has penned.

The one thing we can count on from any Fforde offering is the author’s trademark wit and humor. His idiosyncratic cleverness is abundantly on display, so I’ll leave the last words to him:
“Budgetary overruns almost buried the remaking before the planning stage, until relief came from an unexpected quarter. A spate of dodgy accounting practices in the Outland necessitated a new genre in Fiction: Creative Accountancy. Shunned by many as ‘not a proper genre at all,’ the members’ skills at turning thin air into billion-dollar profits were suddenly of huge use, and the remaking went ahead as planned. Enron may have been a pit of vipers in the Outland, but they quite literally saved the BookWorld.
Bradshaw’s BookWorld Companion (16th edition)”