Diana Abu-Jaber at the Gaithersburg Book Festival

Part 3 of my adventures at the Gaithersburg Book Festival:

If there was one author I was most excited to see at the Book Fest, it was probably Diana Abu-Jaber.  I've been a fan of this literary novelist/memoirist/thriller writer ever since I read her novel Crescent many years ago.  It's a real favorite, in part due to its depiction of the full richness of Arab (and Arab-American) culture, as well as romance, drama, suspense, comedy, tragedy--but I digress.  And I've never had the opportunity to hear her speak before.

Therefore, it was shameful that I missed her opening remarks, but there was socializing to be done.  After Ali (AKA novelist Allison Leotta) and I had chatted with Keith Donohue briefly, she introduced me to novelists Rebecca Coleman, who appeared to be out enjoying the day as we were, and Alma Katsu, who I'd met briefly at Thrillerfest and who was one of the speakers at the festival.  We were both, in turn, introduced to Eleanor Brown, who is apparently connected to the area via her parents who are local.  Anyway, all three ladies were lovely and we were still chatting away as Diana began to speak. 

Eventually, I excused myself, and joined the talk in progress in time to record Diana reading an excerpt from her most recent novel, Birds of Paradise.  What a surprise, I loved this novel!  My review may be read here.  In any case, it is that reading that is the video at the very top of this post. 

Below, are two videos of the Q & A session she did after the reading.





A note on the video.  Yeah, I know my shooting sucks.  It was very hand-held.  And most of the time I'm reasonably steady, but if there's big movement, it's a good bet that superstar puppy Maggie may have had a hand in it.  Between getting tangled in leashes and having her start eating my hair at one point, well, it can be a distraction.  But a very, very cute and forgivable one.  I'm so sorry I didn't snap a pic of her for you.

After Diana Abu-Jaber, Ali and I were supposed to head over to another tent where Eleanor was going to be having a conversation with writers Jen Lancaster and Sarah Pekkanen, but first I asked Ali if we could stop by Diana's signing line so that I could meet her.  Ali was so sweet about following along wherever I wanted to go, so we waited in line for several minutes, but it was worth it.  Diana was as nice as could be!  I think it was obvious that I'm a real fan and long-time reader.  I asked her about the Miami literary scene, because I'm considering relocating there, and she was like, "It's great!  Come on down!"  A very genuine and really lovely lady.  I'm so pleased to have finally met her; I'm just sorry that all my first-edition hardbacks are packed away.  Hopefully, there will be an opportunity to get them signed at a future event. 

Afterwards, Ali and I did go over to where Eleanor was interviewing Jen and Sarah, but the tent was packed.  After standing in the hot sun for a while, Ali was like, "Let's go back to our cool tent."  It was sort of good news/bad news in the land of literary fiction.  It was never hard to get a seat, but there wasn't the audience there was for some of the other festival offerings.  In any case, it was about time for Alma to begin speaking, and that will be the next post...

Keith Donohue at the Gaithersburg Book Festival

Part 2 of my adventures at the Gaithersburg Book Festival:

After getting her kids and hubbie settled in the children's village, Ali (AKA, novelist Allison Leotta) and I walked across the City Hall grounds in time to hear novelist Keith Donohue speak. Despite his novels being prominently displayed on my bookshelves, I have not read him yet. I've always wanted to, but you know how it is. So many books, so little time. Soon, Keith! But it was terrific to have a chance to hear him speak and read.

At the top of this post, you'll see video of Keith's opening remarks to the audience, before he began reading from his most recent novel, Centuries of June.  (Incidentally, he starts by referencing Eleanor Brown, who had introduced him.  Ms. Brown is the author of the delightful The Weird Sisters, which I reviewed here.)

The first video clip ends right as Keith was about to read the opening pages of his novel.  I have to confess that I did film him reading for about 12 minutes, but the little FlipCam I use is a very limited tool.  The biggest problem is that it has no ability to focus.  Second biggest is that it only  holds two hours of video.  Ultimately, I deleted the first reading in order to film more authors later in the day.  Consequently, we skip the first reading and head directly into the Q & A:






As you can see, the first Q & A segement leads into another brief reading, which can be seen below:






And here is the final Q & A segment:

Ali and I chatted briefly with Keith after his presentation, and he was very friendly. I kept running into him all day after that and we kibitzed briefly each time. It was nice to see authors sticking around beyond their narrow time-slot and attending their colleague's presentations.  I saw this over and over all day.  And there were other writers in the audience--ones who weren't speaking or signing at the festival--like Ali who was there hanging out with me.  Case in point, sitting in the row in front of us was novelist Rebecca Coleman, but more on her in the next post...

Double, double toil and trouble

The Weird Sisters
by Eleanor Brown

I’m a reader for whom the title “The Weird Sisters” immediately brings Macbeth’s witches to mind. I’d guess that I’ve got a slightly above average knowledge of Shakespeare, and I have to say that background certainly added to my enjoyment of Eleanor Brown’s lovely debut novel. It is rife with Shakespearian undertones, overtones—all kinds of shades and tones!

The Weird Sisters is, in fact, the story of three sisters. They aren’t that weird, but their upbringing was a bit on the unconventional side. Their father is a respected Shakespeare scholar, and the household was full of culture and absent-minded intellectuals. Dad quoted Shakespeare constantly, and Mom would forget cooking dinner when lost in a book or some other distraction.

Now the three sisters are grown and on their own. Eldest Rosalind (or Rose) is the most stable, a Ph.D. mathematician working in academia like her dad. Naturally a second daughter was named Bianca, after Kate’s sister in Taming of the Shrew. Like her namesake, Bianca (or Bean as she is fondly known) always wants to be the life of the party. She’s been living the high life in New York. And following the example of Lear, Professor Andreas named his third daughter—What else?—Cordelia. Cordy’s the true Bohemian of the family. She dropped out of school and has been living on the road for years.

As the novel opens, every member of the family finds themselves in some sort of trouble. At what should be the happiest time of her life, Rose is in an engagement that’s bordering on estrangement. Bean has just been fired for embezzling from her employers; the high life costs a lot to maintain. And Cordy, well, she’s just knocked up. Their various troubles may be the catalysts that bring them home, but upon arriving they face the daunting reality that is their mother’s fight against breast cancer.

Ms. Brown knows that there’s plenty of drama to be mined from the relationships of adult children suddenly under the same roof again for the first time in a decade. Mix in a whole lot of the Bard, as well as a soupçon of Dylan Thomas, a dash of Greek mythology, and a host of other literary and cultural references, and you’ve got a fizzy brew that goes down easy.